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On the north-due west side, the campus opens up to the park, providing aegis from both the busy briny street and the railway, and connecting the wilderness of the Carpathian mountains with the metropolis. Embedded into the existent cancel landscape, the Mungo Park is filled with public areas for recreation, ORGY PORN VIDEOS interaction, and easiness patch boosting local anaesthetic biodiversity and creating pockets suited for outdoor workings. Upon incoming the principal ESET HQ anteroom –located in the largest edifice of the campus –ESET employees are greeted by a cascading staircase that connects the priming deck with the amphetamine levels. BIG’s blueprint for the Modern neighbourhood replicates the spatial hierarchy of nature – the down and liberal margin of the shared out public spaces is easy accessible to all, allowing populace liveliness to fly high within the meshing of streets. The higher acme of the fine arts ‘mountain’ houses the ESET business, providing the company’s teams with innovative facilities patch maintaining concealment. IQON’s subject field identity is defined by its ‘stripped back’ façade; the raw, open concrete simultaneously functions as the building’s social structure.
The intention not exclusively honors Bhutan’s rich people polish simply as well sets a fresh stock for mindful, adaptable architecture that bequeath get with the country’s future tense spell beingness stock-still in its past times." Adapting to the subtropical climate of Southern Bhutan, the airport incorporates climate-responsive, passive designs seen in traditional Bhutanese architecture. Its wooden structure absorbs moisture from the air, helping to regulate indoor humidity, while ventilated roofs and courtyards encourage natural airflow. The airport will also become Bhutan’s first in-land mobility hub, promoting the use of public transportation with easily accessible trackless trams and buses that connect to Gelephu’s revitalized town center and the rest of the country. Aptly named the Forest Spine, the courtyard divides the terminal into two sections, with domestic flights on the west side and international flights to the east. Visually accessible from anywhere in the airport, the Forest Spine offers passengers a connection to nature even inside the airport, with tranquil green spaces, a treetop walkway, and indigenous fauna. A series of half floor plates overlap to create a cascading environment of interconnected levels that unite the entire seven-storey building visually and physically into a single space.
In the direction of the bridge, the building will consist of a procession of 43 parallel concrete frames that change in scale, from generous to intimate as you pass through. As people pass through, it turns out to be an entirely transparent space with works of art in all directions. The building’s insides will be exposed on the outside, and its main façade willbe the space within it. Skuru Parkbridge represents a new form of social infrastructure, which is not only aesthetic and environmentally well-integrated with the natural landscape, but is also socially activating by creating a place and a park for the people who live and work on both sides of the strait. At street level, a terraced landscape invites people to relax and take in the city making the Axel Square once again an attractive, urban public space – like a Danish version of the Spanish steps in Rome. A village of 11 buildings for the City offices, the City Council, and different administrative functions are elevated to create a continuous public space on the ground floor. Organizing the administrative functions this way allows the departments to operate as a cluster of independent entities as well as one unified workspace. From the 9/11 Memorial, the building appears as a tall and slender tower just as its three neighboring towers, while the view from TriBeCa is of a series of stepped green terraces. The building is aligned along the axis of World Trade Center masterplanner Daniel Libeskind’s ‘Wedge of Light’ plaza to preserve the views to St. Paul’s Chapel from the Memorial park.
Outside, the plantings spill over the edges of the terraces, creating a vibrant contrast against the steel and concrete framework. The west terrace is outfitted with an outdoor kitchen, a custom dining table by New York Stone, and planter boxes clad in Corten steel, complementing the penthouse’s exterior design. The commissioned Astronaut Cosmonaut by Belgian artist Victor Ash is suspended in space on the east terrace sliding glass doors. Upon entering, a floor-to-ceiling curved glass wall reveals a view of a sheltered green courtyard and the forest, where the refugee camp used to be. The courtyard lets light flow into the entry hall that functions as a lobby or a temporary exhibition space for guests to experience before continuing their journey into one of the museum wings. The meandering shape of the promenade defines a series of new public spaces on land and water weaving together the two and extending the new public realm into the water earlier reserved for industrial purposes. The promenade brings life to the area through a sports plaza, harbor bath, theater, restaurants, cafés, and beach huts which all together create a new vibrant waterfront in Aarhus. Green terraces above each floor become an extension of the classroom, creating an indoor-outdoor learning landscape for both students and teachers – an educational oasis rather than a traditional school setting.
Surrounded by extraordinary views of the marina and its surrounding community, the state-of-the-art recording studio attracts the world’s most famous recording artists to Albany to record their next chart-topping hits. A series of triple-height void spaces and interconnected terraces under the sloping O roof surface will provide visual and physical connectivity between floors, and the opportunity to introduce biophilic social spaces and shortcuts for all OPPO staff. These spaces will bring human interaction out to the facades, where staff can enjoy views out while populating and activating the skyline of the city. The Arts District and its immediate surroundings are paved with historic buildings and industrial structures. The warehouses, most of them dating back to the turn of the 20th century, were built cost efficiently and highly functionally with prefabricated concrete or steel elements. The raw and industrial beauty of the warehouses is typical for the neighborhood, and many have been retrofitted into something new. For the Dortheavej residences located in the northwest part of Copenhagen, BIG mobilizes modular construction with modest materials, creating generous new living spaces at the urban as well as the residential scale. The uppermost residential floors with 103 apartments and lofts – comprising open and flexible plans to tailor-made units – are rotated for optimal views and natural light to enter from more than one side.
The site is designed to use the East River as a heat sink and heat source to supplement the buildings’ heating, cooling and domestic hot water systems, which will reduce potable water demand by 24.5 million gallons annually. Stormwater capture and retention, as well as the park’s mature trees, will help minimize urban heat island effect. Freedom Plaza will also utilize a minimum of 20% electric vehicle charging stations for its onsite parking with capacity to scale to 60%. Taking the shape of a Möbius strip, the museum winds on top of itself, allowing for outdoor walking paths. The museum forms a spiraling and infinite geometry over the amphitheater as a symbol of unity, and takes cues from the traditional Greek theater as a nod to those who created democracy thousands of years ago.
The structural approach consists of concrete slabs and timber framing supporting a roof that is draping across the site in peaks and valleys. The landscape around the building provides two larger open entry plazas and a series of outdoor studios spilling out from inside, creating a gradient between softscape and hardscape around the site. Rather than creating a building plus a pergola, BIG proposes to do both in one single move for the new building of Barcelona Institute of Science and Technology (BIST). By setting the building back at ground level, BIG creates a single, generous, sheltered public plaza at the foot of BIST. Newly created spaces including AI exhibition spaces, markets and cafés will invite the public to join under the roof. Under the same roof, professionals and robotics working in the most innovative companies of the country will develop future technologies. The traffic strategy focuses on a flexible transition towards a future re-balance of nature with development.
BIG envisions the hi-tech campus as the new center of innovation for China, dedicated to Terminus Technologies’ ambitions in artificial intelligence of things, robotics, networking and big data. Virgin Hyperloop has gained significant momentum on the regulatory front, having unveiled West Virginia as the location for the Hyperloop Certification Center (HCC), also designed by BIG. The advancements at the HCC and the historic safety demonstration achieved with this test paves the way for the certification of Hyperloop systems around the world – the future of time and space, warped by Pegasus. BIG’s design for the museum is conceived as a literal cast of the dune – a human-made imprint from the natural geological sand formations. The site of Lycium, a small local museum, sits between old villas and a late 1960s prefabricated hotel on a naturally formed, waving sand dune covered with patches of lime grass. The striated volume appears like a rippled seashell made from parallel walls facing east and west to block the low incoming sunrays, while opening up toward the Marina and the private garden. The undulating roof is made from tilted slabs ensuring that there are no parallel surfaces between floor and ceiling. The resultant elevation appears like parallel columns of light like the digital display of an equalizer. Wrapped with adaptive façade louvers that are oriented according to sun angles and building geometry to minimize solar gain, the façade will become a fingerprint for the building, with a specific imprint that exists only for the O-Tower, and only in Hangzhou.
Steel and glass facades reflect the surrounding trees and waterfront, visually blending the pavilion with its natural environment. The glass allows views of the landscape from inside, while the polished steel surfaces mirror light and greenery, creating a subtle connection between the pavilion and the waterfront park. Its pixelated roof further breaks down the scale of the structure, blending it with the textures of the surrounding environment. A system of "bridging berms" between FDR Drive and the park will help protect the neighborhood from future storm surge and rising sea levels. The system also reimagines access into the park with new pedestrian bridges, supports diverse new plantings, enhances views, and creates improved open spaces along the waterfront. The building would bend and curve around existing buildings and club houses with large arches creating connections to the surrounding areas. The height of the building varies in respect to neighbors and views to the historic skyline of Copenhagen, creating a Great Wall of roof gardens and terraces. The Clover Block would inject public life into the area and bring 2,000 new apartments without sacrificing a single football field. The rotation of the office volumes is central to the design concept, creating fantastic sculptural views from every angle while maximizing outdoor spaces.
As the result, BIG’s proposal attempts to reverse the relationship between land and water of the traditional swimming pool. Rather than locating the wet element within dry architecture, the design started out with organizing the water. The architecture of Landsbankinn is like an urban form of the Icelandic landscape, its characteristic shapes, peaks, caves and canyons are the results of exterior forces acting upon it. Rather than being an infrastructural node for car traffic, BIG proposed turning Slussen into an urban infrastructure for public life. In the direction of the bridge, the building consists of a procession of parallel concrete frames that change scale, from generous to intimate, then generous again to open on EuropaCity. Viewed from the front, the building is opaque, enigmatic, but the graceful curves come to envelop the visitors in this poetic procession. When visitors cross the first frames, they discover a building of great transparency, an inviting and open space whose vibrant activity draws them inward.